艺术形式本体论,ontology of artistic form
1)ontology of artistic form艺术形式本体论
2)art ontology艺术本体论
1.Ecological aesthetics regards the modern s existences and aesthetical activities as its major study object,and meanwhile should embrace "nature" as an important thinking dimension into studies on existential noumenaart ontology.“生态存在论美学”作为国内生态美学研究的前沿,在研究对象、研究方法、研究内容等方面都有待进一步明确和深化:生态美学以现代人的存在状态与审美活动作为主要研究对象的同时,又要把“自然”作为一个重要思考维度纳入存在本体与艺术本体论的研究中;生态美学以现象学哲学作为主要方法论来源,在吸收借鉴多种理论资源时必须经过谨慎地辨析和转化;生态美学的研究内容主要包括对国外生态文化理论的系统译介、存在本体论与艺术本体论研究、关于自然信仰理论的研究,以及对生态批评理论的探讨和具体实践。
2.Huserl s phenomenology, which mainly consists ofart ontology, art cognitivism, and aesthetic value theory.英伽登的现象学美学是建构在胡塞尔现象学的意向性理论的基础上 ,主要是由艺术本体论、艺术认识论和审美价值论组成。
英文短句/例句
1.Art Is Self-forma;Ozation of Artistic Noumenon--on Wen Yiduo s artistic ontology;艺术是本体的自我赋形——闻一多艺术本体论思想论析
2.On the Noumenon of Art-Comparative St udies of the Courses of Chinese and West ern Painting Noumenon;艺术本体论——中西绘画本体发展历程比较研究
3."REPRESENTATION" AND "EXPRESSION" OF ART--The Development of Art s Essence in China and the West Including Their Difference;艺术的“再现”和“表现”——中西方艺术本体论的观念演变及差异评述
4.On the Western Aesthetic Trilogy Concerning Artistic Nature(Part 2)--An Exposition on the Artistic Nature of Human NoumenonAesthetics;西方美学关于艺术本质的三部曲(下)——人类本体论美学艺术本质论
5.The Ontological Significance of Artistically Observing Reality as Organic Part of Translation;翻译艺术观“现实”关照的本体论意义
6.Discussing the Artistic Configuration of the Edition of The Story in West Room Criticized by JinShengtan;论金圣叹批评本《西厢记》的艺术体制
7.Mencius and Xun Zi s Doctrine of the “Nature-Sentiment” Structure and the Ontology of Art;孟荀的“性—情”结构论及艺术本体性
8.Calming down One"s Mind and Appreciating Images--On Zong Bing"s Intuition View of the Ontological Art澄怀味象——宗炳的本体论艺术直觉观
9.Langer"s esthetics system is made of art quintessences, art idol, art instinct and life modality. This paper begins from the headstream of Susanne.朗格的美学思想体系由艺术本质论、艺术幻象论、艺术直觉论和生命形式论等构成。
10.Susanne K. Langer s Artistic Philosophy:Change from Epistemology to Ontology;苏珊·朗格的艺术哲学:从认识论向本体论的转换
11.On the Western Aesthetic Trilogy Concerning Artistic Nature(Part Ⅰ)--Artistic Nature:From the Natural Noumenon Aesthetics to Epitemologic Aesthetics;西方美学关于艺术本质的三部曲(上)——艺术本质论:从自然本体论美学到认识论美学
12.Nielzsche commented on his theory of“ Artists" based on“ the willto power".尼采以强力意志为本体，阐述其艺术家理论。
13.Interpretation of New Poetry from Perspectives of Schools of Thought--On On Art of New Poetry;流派视角的新诗本体解读——评《新诗艺术论》
14.The Reason for Art --From the Perspective of Ontological Poetics;艺术的理由——重申本体论诗学的一种路径
15.Wang Guo-wei s Art Category System;王国维以“自然”为本体的艺术范畴系统论
POSITION OF VOCAL ART EMOTIONAL THEORY AND THE RELATIONSHIP声乐艺术情感论的本体构成及其关系探析
17.The Poetic Nature of Art--Heidegger On Poetry and Art;艺术的诗意本性——海德格尔论艺术与诗
18.On Construction of Local Art Theory in the Chinese Art Discipline中国艺术学科本土艺术理论建设刍议
相关短句/例句
art ontology艺术本体论
1.Ecological aesthetics regards the modern s existences and aesthetical activities as its major study object,and meanwhile should embrace "nature" as an important thinking dimension into studies on existential noumenaart ontology.“生态存在论美学”作为国内生态美学研究的前沿,在研究对象、研究方法、研究内容等方面都有待进一步明确和深化:生态美学以现代人的存在状态与审美活动作为主要研究对象的同时,又要把“自然”作为一个重要思考维度纳入存在本体与艺术本体论的研究中;生态美学以现象学哲学作为主要方法论来源,在吸收借鉴多种理论资源时必须经过谨慎地辨析和转化;生态美学的研究内容主要包括对国外生态文化理论的系统译介、存在本体论与艺术本体论研究、关于自然信仰理论的研究,以及对生态批评理论的探讨和具体实践。
2.Huserl s phenomenology, which mainly consists ofart ontology, art cognitivism, and aesthetic value theory.英伽登的现象学美学是建构在胡塞尔现象学的意向性理论的基础上 ,主要是由艺术本体论、艺术认识论和审美价值论组成。
3)artistic ontology艺术本体论
1.Transcending subjectivist aesthetics, Gadmer s discussion of occasionality in his "Truth and Method" bridges hisartistic ontology and hermeneutical ontology on a universal level.伽达默尔在《真理与方法》一书中对艺术作品偶缘性问题的讨论,是他超越主观论美学而从艺术本体论向普遍意义的诠释学本体论过渡的一座桥梁。
4)theory of forms of art艺术形式论
5)ontology of artistic works艺术作品本体论
1.By criticizing the subjective aesthetics,Gadamer proposes theontology of artistic works.在批判主体论美学的基础上 ,伽达默尔提出了艺术作品本体论。
6)formal ontology形式本体论
1.And also there were a lot of heated arguments about the literature ontology and many different theory schools,such asformal ontology,life ontology,practical ontology,active ontology,anthropology ontology,practical and ontological ontology,and so on.关于"文学本体"的论争非常活跃,出现了诸如"形式本体论"、"生命本体论"、"实践本体论"、"人类学本体论"、"实践存在论"等主张。
2.This trend was first reflected in the creation of art, and then in the formalist criticism, and finally in the construction of theformal ontology of art.形式本体论是新时期中国文艺从实践到理论都曾积极追求过的价值取向之一。
延伸阅读
本体论本体论ontology哲学术语。在西方哲学中，指关于存在及其本质和规律的学说。“本体”一词源于拉丁文on（存在、有、是）和ontos（存在物）。17世纪德国经院学者第一次使用本体论一词，并将它解释为形而上学的同义语。在中国古代哲学中，本体论称为本根论，指探究天地万物产生、存在、发展变化根本原因和根本依据的学说。
