传统山水画,traditional Chinese landscape painting
1)traditional Chinese landscape painting传统山水画
1."Painting" and "Garden":analysis of inspiration of Chinese classical garden fromtraditional Chinese landscape painting;“画”与“园”——探析传统山水画对古典园林之启迪
英文短句/例句
1.A Comparative Study of Oil-Landscape Painting and Chinese Traditional Landscape Painting;油画风景与中国传统山水画比较研究
2.The Skills of Paintings of Traditional and Modern Mountains-Waters --On the Development of Painting Skills;传统山水画与现代山水画——试论笔墨的发展变化
3.The Comparative Study of the Landscape between Dunhuang Frescoes and the Traditional Painting of the Central Plains敦煌壁画山水与中原传统山水画之比较研究
4.Talk of Traditional Chinese Landscape Paintings and Modern Landscape of the Aesthetic Characteristics谈中国传统山水画与现代山水画之审美特征
5.The Research of Aesthetic on Water in Chinese Traditional Landscape Painting中国传统山水画中“水”的审美研究
6.Touring and Aesthetic angle of Chinese Traditional Landscape Paintings;“游”与中国传统山水画的审美视角
7.A Study of Possibility of Chromatic Light in Traditional Landscape Painting传统山水画中色光存在的可能性探究
8.A Comparative Study of Western Landscape Oil-Painting and Chinese Traditional Landscape Painting;西方风景油画与中国传统山水画比较研究
9."Painting" and "Garden":analysis of inspiration of Chinese classical garden from traditional Chinese landscape painting;“画”与“园”——探析传统山水画对古典园林之启迪
10.A comparative study on traditional Chinese landscape painting and western scenery oil painting;中国传统山水画与西方风景油画之比较
11.Analysis of the Esthetic Conception and Construction Theory of Chinese Traditional Landscape Paintings;探析中国传统山水画意境审美及创构理念
12.Metaphor and Expression of the Confucian Body viewpoint in Traditional Landscape Painting传统山水画中儒家身体观的隐喻与表达
13.The Development of the Chinese Tradition Landscape Ainting s Composition and the Relationship between the Compositiong and the Painting Subject;传统山水画构图模式的发展及其与笔墨形式的关系
14.Dependence and Estrangement--Relationship Between Traditional Chinese Landscape Painting and Local Natural Landscape in the Post-industrial Period;依存与疏离——后工业时代中国传统山水画与地域自然物象之关系
15.Harmony of Nature and People--On the Aesthetic Thought of Chinese Traditional Landscape Paintings;自然与自我的和声——中国传统山水画审美思想刍议
16.Unity of Heaven and Humanity,Harmony between Brush and Ink on the Harmonious Realm of Chinese Traditional Landscape Painting天人合一,笔墨圆融——试谈中国传统山水画的和谐境界
17.The Comparison between Traditional and Modern Chinese Landscape Painting;传统中国山水画与现代中国山水画之比较
18.Traditional Landscape Painting of Modern Garden Design传统山水绘画对现代园林设计的影响
相关短句/例句
Traditional landscape painting传统山水画写生
3)Chinese traditional landscape painting中国传统山水画
1.Chinese traditional landscape painting,a vision art of plane imaging,the same as western paintings,is by and applies the theory of perspective.中国传统山水画作为平面成像的视觉艺术,与西方绘画一样也依据和应用透视学原理,关于中国传统绘画中的透视理论,后人讨论最多的是宋代郭熙《林泉高致》中提出的“三远法,”即高远、深远和平远。
2.With the long history, tremendous achievements and sophisticated art theory,Chinese traditional landscape painting had acquired a distinctive and important place in the art world.对中国传统山水画进行审美理想的研究,可从一个角度深入其内部,探讨它的意义与价值,不但对艺术、美学研究有所启发,可以澄清一些理论问题;而且对人生存在也有很大的意义,因为其中体现了中国古代智慧的艺术家们和人民对人生、艺术、自然山水世界三者关系的思考。
3.The Western landscape oil-painting andChinese traditional landscape painting are two quite distinct paintings of style and visual effect under different cultural ideology aesthetic concept.西方风景油画与中国传统山水画是在两种不同文化意识、两种不同审美理念的造就下形成的两种不同风格表现、不同视觉感受的绘画形式。
4)vacating[英][vei"keit][美]["veket]传统水墨画
5)landscape;land-scape-painting山水画; 山水
6)Landscape[英]["l?ndske?p][美]["l?nd"skep]山水画
posing features of Chinese landscape painting reflected in the aesthetic ideal of "roaming and residing";从“可游可居”的审美理想看中国山水画的构图特点
2.A Degage and Natural Writing Brush,New and Graceful Calligraphy——Ni Zan s calligraphy and landscape;逸笔草草——倪瓒书法与其山水画
3.New ideas based on tradition Appreciation on Zhang Wenjun s landscape painting;立足于传统基础上的创新——读张文俊教授山水画
延伸阅读
奉先刘少府新画山水障歌【诗文】:堂上不合生枫树,怪底江山起烟雾。闻君扫却赤县图,乘兴遣画沧洲趣。画师亦无数,好手不可遇。对此融心神。知君重毫素。岂但祁岳与郑虔,笔迹远过杨契丹。得非悬圃裂,无乃潇湘翻。悄然坐我天姥下,耳边已似闻清猿。反思前夜风雨急,乃是蒲城鬼神入。元气淋漓障犹湿,真宰上诉天应泣。野亭春还杂花远,渔翁暝蹋孤舟立。沧浪水深青溟阔,欹岸侧岛秋毫末。不见湘妃鼓瑟时,至今斑竹临江活。刘侯天机精,爱画入骨髓。自有两儿郎,挥洒亦莫比。大儿聪明到,能添老树巅崖里。小儿心孔开。貌得山僧及童子。若耶溪,云门寺。吾独胡为在泥滓,青鞋布袜从此始。【注释】:【出处】:全唐诗:卷216_40