元代花鸟画,Yuan dynasty flower and bird paintings
1)Yuan dynasty flower and bird paintings元代花鸟画
1.After the peak of the royal flower and bird painting of Song dynasties,great changes took place in the form of significance and aesthetic spirit as well as the theme and content and technique of expression ofYuan dynasty flower and bird paintings because of the much involvement of literati.继两宋院体花鸟画发展的高峰后,由于文人的大量介入,元代花鸟画无论在题材内容还是表现手法与形式意味及美学精神方面都产生了巨大的变化。
英文短句/例句
1.Two Consciousnesses Awakening and their Significance of Literati Painters in Yuan Dynasty Flower and Bird Paintings从元代花鸟画中看文人画家两种意识的觉醒及其意义
2.The Role of Decorative Elements in Contemporary Meticulous of Chinese Fine Brushwork of Flowers and Birds;装饰性元素在当代工笔花鸟画中的作用
3.ON THE FLOWERS AND BIRDS PAINTING ON CERAMICS FROM THETONGGUAN KILN OF CHANGSHA IN THE TANG DYNASTY;论陶瓷绘画的唐代长沙铜官窑花鸟画
4.The Evolution of Flower-bird Painting in Song and Yuan Period and the Expanding of Art Spirit宋元花鸟画的演变及其艺术精神拓展
5.On Realistic Features of Flower-and-Bird Paintings in the Song Dynasty and Contemporary Times;浅议宋代与现代花鸟画的“写实性”
6.A Study of Depiction Decorative Language of Chinese Fine Brushwork of Flower & Bird;现代中国工笔花鸟画装饰性语言研究
7.A Comparative Study on the Chinese and Japanese Realistic Painting of Flower and Bird-From Tradition to Today;传统与现代视角下的中日工笔花鸟画
8.The Phenomenon of Void and Silent in Modern Chinese Elaborate-style Flower and Bird Painting;谈现代工笔花鸟画语境中的“虚静”现象
9.On Surrealism in Contemporary Chinese Flower-and-Bird Painting论中国当代花鸟画的超现实主义倾向
10.On the Mimetic Ideas of the Traditional Chinese Painting From the Flower and Bird Painting in the Song Dynasty;从宋代院体花鸟画看传统中国画的写实观
11.Study on Form Language of Meticulous Flowers-and-Birds Painting between Song Dynasty and Modern Time;宋代与现代工笔花鸟画形式语言比较研究
12.Chinese flower-and-bird painting came into being in the end of the Tang Dynasty and the Five Dynasties.唐末五代前后出现的中国花鸟画 ,以写形、写实为主 ,画史称之为工笔花鸟画。
13.Kano School and Flower and Bird Paintings of Song Dynasty in View of Kundaikansouchouki;从君台观左右帐记看宋代花鸟画与日本狩野派
14.Jiangsu Flowers and Birds Painting of Modern Art Style Heritage Research and Development;江苏近现代花鸟画艺术风格传承与发展研究
15."Negative Space" Language Research and Current Development of Chinese Fine-Brush Flower-and-Bird Painting;中国工笔花鸟画“负空间”语言探索及当代发展
16.The Effect of Intellectual Gathering to the Palatial Flower-and-Bird Painting in Ming Dynasty (14～(th) Century);论明代宣德年间台阁雅集对宫廷花鸟画的影响
17.Study the Relationship between Contemporary Flower-and-bird Painting and Classical Chinese Garden Architecture当代花鸟画与中国古典园林建筑关系研究
18.Analysis of the Contemporary Elaborate Flower and Bird Painting in the Comparison between Chinese and Western Painting Composition;从中、西方绘画的构图比较看当代工笔花鸟画的构图
相关短句/例句
Song Yuan flower-and-bird painting宋元花鸟画
3)flower-and-bird paintings in the Song Dynasty宋代花鸟画
4)flower-and-bird paintings in the contemporary times现代花鸟画
5)Ming Dynasty scholars bird明代花鸟画
6)Contemporary flower-and-bird painting当代花鸟画
延伸阅读
花鸟画花鸟画中国画传统画种之一。以动植物为主要描绘对象。具体还可分成花卉、翎毛、蔬果、草虫、畜兽、鳞介等类。以表现技法的精细或奔放，分为工笔类型和写意类型。前者更具写实性并有一定装饰性，精丽雅致；后者则笔墨简练，洒脱奔放。以水墨色彩的区别又可分成水墨花鸟画、泼墨花鸟画、设色花鸟画、白描花鸟画和没骨花鸟画。现藏美国的东汉壁画《双鸦栖树图》为已知最早独幅花鸟画。唐、五代、北宋时花鸟画极为繁荣。后代画家更广泛发展了花鸟画风格流派。近现代齐白石则在继承前人又发展传统的基础上成为一代花鸟画大师。中国花鸟画的鲜明特点为：以写生为基础，寓志、抒情为情感表达方式。它具有适合中国传统的审美需求而逐步完善成熟的特征。在造型方法上，以齐白石的追求“不似之似”、“妙在似与不似之间”为代表的观点可以概括。它既重形似又高于拘谨的形似，更重视作者的志趣，寓意。在构图上，花鸟画以主体突出、虚实相生为物色，至于写意花鸟，更善于将书法以资画，题诗以言志，辅以印章等。
